Theophile Hermand
New! Creative Director Theophile Hermand September 04, 2025
Theophile Hermand is a creative director whose work sits at the intersection of fashion, storytelling, and cultural intuition. With a sharp visual sensibility and a background shaped by years of experience across both editorial and advertising, Theophile has developed a signature approach that merges instinctive styling with conceptual depth.
His portfolio includes collaborations with some of the most influential names in fashion and beauty, including CHANEL, Dior, Hermès, Louis Vuitton, Prada, Saint Laurent, TOTÊME, Nike, and L’Oréal. On the editorial side, his work has appeared in titles such as Vogue China, i-D, V Magazine, V MAN, Harper’s Bazaar, Vanity Fair France, Garage, Sunday Times Style, and On the Rocks, where his ideas brings a refined edge and emotional resonance to every frame.
Theophile is focused on leading projects that bring together art direction, casting, styling, and narrative into unified visual worlds. His transition is fueled by a holistic understanding of image-making — one that sees beyond aesthetics and into the emotion, identity, and cultural relevance behind the work.
At the core of his practice is a belief that strong visuals don’t just look good — they mean something.
His portfolio includes collaborations with some of the most influential names in fashion and beauty, including CHANEL, Dior, Hermès, Louis Vuitton, Prada, Saint Laurent, TOTÊME, Nike, and L’Oréal. On the editorial side, his work has appeared in titles such as Vogue China, i-D, V Magazine, V MAN, Harper’s Bazaar, Vanity Fair France, Garage, Sunday Times Style, and On the Rocks, where his ideas brings a refined edge and emotional resonance to every frame.
Theophile is focused on leading projects that bring together art direction, casting, styling, and narrative into unified visual worlds. His transition is fueled by a holistic understanding of image-making — one that sees beyond aesthetics and into the emotion, identity, and cultural relevance behind the work.
At the core of his practice is a belief that strong visuals don’t just look good — they mean something.















